http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
　　“The end of paradise on earth.”—Jean-Marie Straub
　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
　　The mise en scène of what words exactly?
　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
　　Is “Straubie” Greece?
　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

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O somma luce HD

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分类：剧情片 法国 2010

导演：让-马里·斯特劳布   

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片名：O somma luce

别名：O somma luce免费在线播放

电影类别:剧情片

连载状态：完结

发行年份：2010

首映地区：法国

导演：让-马里·斯特劳布

演员：Giorgio Passerone

更新时间：2023-11-28 03:52

常见问题:

1、《O somma luce》讲述的是什么故事？

神马电影网网网友：

　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
　　“The end of paradise on earth.”—Jean-Marie Straub
　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
　　The mise en scène of what words exactly?
　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
　　Is “Straubie” Greece?
　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

2、《O somma luce》这部剧中的台词，你怎么看？

秋霞电影网网友：最近《O somma luce》上映了，没想到三国影院（http://www.sgh288.com）非常地慷慨，一来就放全集，观众们可以一口气从第一集看到大结局。这部剧中演员：Giorgio Passerone的高颜值是一大亮点之外，它里面的台词也非常的搞笑啊！台词沙雕中带着可爱。

3、被称为剧情片的开先河之作的《O somma luce》，是让-马里·斯特劳布最好的作品吗?

从让-马里·斯特劳布斩获剧情片最佳导演 我就觉得这部《O somma luce》是他最好的电影。虽然让-马里·斯特劳布后来还拍出来了评价特别好的电影，但是《O somma luce》是他电影的代表作品。

4、《O somma luce》为什么可以成为经典？

提起法国电影，人们就肯定会说出《O somma luce》的名字。这部由让-马里·斯特劳布导演，Giorgio Passerone主演的《O somma luce》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Giorgio Passerone导演和Giorgio Passerone，都没想到这部剧情片会得到这样好的反响。让-马里·斯特劳布先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《O somma luce》开拍之前，Giorgio Passerone已经有4年无戏可拍，而Giorgio Passerone主演的电影，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在电影中投入的热情，是我们难以想象的，其实《O somma luce》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！

5、《O somma luce》当初为何能够火遍全法国？

在早年的电影产业发展线路上，法国的众多电影作品在如今的娱乐圈和电影界之中依旧是十分经典的作品，特别是Giorgio Passerone精湛演技更是让我们对于这些剧情片作品具有着怀念之情。在让-马里·斯特劳布的个人艺术事业发展线路上，《O somma luce》这一部剧情片也是他达到巅峰状态的作品之一，正是制作水平和演员上的选择才让这一部剧情片作品在当年红遍法国。

6、剧情片《O somma luce》在法国电影中处于怎样的地位？

2010年电影《O somma luce》开创了法国电影的先河!电影《O somma luce》是法国电影中真正最好的剧情片!在那璀璨夺目的剧情片黄金时代，《O somma luce》无疑就是一颗耀眼的明珠。《O somma luce》的大火让Giorgio Passerone名声大噪。所以我觉得《O somma luce》 就是法国电影的一部巅峰之作，只能被模仿，绝对没有可能被超越。

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