糊涂侦探归来 HD

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分类:喜剧片 美国 1989

导演:盖瑞·尼尔森   

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片名:糊涂侦探归来

别名:糊涂侦探归来免费在线播放

电影类别:喜剧片

连载状态:完结

发行年份:1989

首映地区:美国

导演:盖瑞·尼尔森

演员:唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔

更新时间:2023-11-28 00:43

常见问题:

1、《糊涂侦探归来》讲述的是什么故事?

神马电影网网网友:

  Get Smart, Again! is a made-for-TV movie based on the 1965-1970 NBC/CBS television series, Get Smart!, which originally aired February 26, 1989 on ABC (ironically, the network that rejected the original pilot for the Get Smart! TV series). It has subsequently been released twice on DVD by different publishers. In the video release of the movie, the background canned laughter (pre-recorded laughter added later to the soundtrack), is absent.
  Overview
  Differences between Get Smart, Again! and The Nude Bomb
  The film is not as well known as the earlier theatrical release, The Nude Bomb, also based on Get Smart, but was better received by fans of the original program. Unlike The Nude Bomb, which featured only the characters of Smart, The Chief (with Dana Elcar replacing the deceased Edward Platt), Agent 13 (Dave Ketchum in the series, portrayed by Joey Forman in The Nude Bomb, who had played the character Harry Hoo in the series) and Larrabee, Get Smart, Again! featured all of the surviving original cast reprising their roles. The tone and feel of Get Smart, Again! were also closer to that of the original series. Get Smart, Again! was written and produced by Leonard Stern, who was a producer of the original series. One element of the Nude Bomb ignored completely was the renaming of CONTROL as PITS in the earlier film; although as CONTROL is said to have disbanded in the 1970s, it's not impossible for both CONTROL and PITS to exist within the continuity of the franchise.
  Barbara Feldon's character, 99, makes a reference to T.H.R.U.S.H., the evil organization in The Man From U.N.C.L.E., a show on which Feldon guest-starred.
  Theme music
  Get Smart, Again! also reprises the TV program's original theme music and opening credit sequence, which were absent from The Nude Bomb. In this case, however, the corridors were covered in cobwebs and the phone-booth elevator that led to CONTROL headquarters worked in reverse, causing Smart to be thrown to the top of the booth.
  Synopsis
  Maxwell Smart, acting as a protocol officer since CONTROL was disbanded in the early 1970s, is reactivated as a counterintelligence agent by Commander Drury (Kenneth Mars) of the United States Intelligence Agency. KAOS, long considered defunct, has been revitalized by a corporate takeover. Its first scheme involves turning a forgotten American scientist and using his weather control machine to extort $250 billion US dollars from the United States Government. Drury, convinced that only Smart has the expertise to combat KAOS, gives him carte blanche to reactivate former CONTROL agents to assist him in his task. Along with Drury's bumbling aide, Beamish (Steve Levitt), Smart recruits Larrabee (who, believing that he was under orders from Richard Nixon to stay at his post until relieved, has been living in his office in the now-abandoned CONTROL headquarters tending his office plants), Agent 13, Hymie the Robot (now employed as a crash test dummy) and ultimately, his wife 99 (Barbara Feldon) to find the security leak that allowed the scientist to defect, locate the weather machine and disarm it. They are opposed by KAOS moles within the USIA, who are able to predict Max's every move with the aid of stolen copies of 99's unpublished memoirs. The visible head of the KAOS scheme is revealed to be Max's old nemesis, Siegfried, but he is merely the agent of a higher executive whom even he has never met. This higher power is finally revealed as Nicholas Demente (Harold Gould), 99's publisher, who intends not only to extort the money but also to create weather that will keep people eternally indoors and interfere with television reception, forcing millions to entertain themselves by buying Demente's books and publications.
  Comedic style
  The script is littered with typical Maxwell Smart verbal gags, and large portions of the plot serve only as set ups for Get Smart!-style sight gags (such as a duel between Max and a KAOS hitman using remote controlled file cabinet drawers). The film also features the array of bizarre gadgetry and political satire that were hallmarks of the original series. The cone of silence has been superseded by "Hover Cover" where a meeting is held on a rooftop with three helicopters hovering overhead. The failure of Hover Cover leads to the development of "The Hall Of Hush",a soundproof room where words print out silently in mid air, a success at first until the words begin to print forward, backward and on top of each other.
  Max changes the well known quote "Dr. Livingstone I Presume" to "Dr. Hottentot I Presume".
  1995 revival
  The relative success of the film prompted the development of a short-lived 1995 weekly series on FOX, also titled Get Smart, with Don Adams and Barbara Feldon reprising their characters as their bumbling son, Zach (Andy Dick), becomes CONTROL's star agent.
  原班人马啊,好想看。TAT

2、《糊涂侦探归来》这部剧中的台词,你怎么看?

秋霞电影网网友:最近《糊涂侦探归来》上映了,没想到三国影院(http://www.sgh288.com)非常地慷慨,一来就放全集,观众们可以一口气从第一集看到大结局。这部剧中演员:唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔的高颜值是一大亮点之外,它里面的台词也非常的搞笑啊!台词沙雕中带着可爱。

3、被称为喜剧片的开先河之作的《糊涂侦探归来》,是盖瑞·尼尔森最好的作品吗?

从盖瑞·尼尔森斩获喜剧片最佳导演 我就觉得这部《糊涂侦探归来》是他最好的电影。虽然盖瑞·尼尔森后来还拍出来了评价特别好的电影,但是《糊涂侦探归来》是他电影的代表作品。

4、《糊涂侦探归来》为什么可以成为经典?

提起美国电影,人们就肯定会说出《糊涂侦探归来》的名字。这部由盖瑞·尼尔森导演,唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔主演的《糊涂侦探归来》,在当时,真的是成为了一匹黑马,杀出了一条血路,创造了一个奇迹。为何会这么说,我想,就连唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔导演和唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔,都没想到这部喜剧片会得到这样好的反响。盖瑞·尼尔森先生曾说过,这是一群失意的人凑到了一起创作出来的一部作品。因为在《糊涂侦探归来》开拍之前,唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔已经有4年无戏可拍,而唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔主演的电影,票房始终不理想,这样的几个人凑在了一起,也真是缘分!所以,正是这样的失意感和强烈的自尊心,他们在电影中投入的热情,是我们难以想象的,其实《糊涂侦探归来》中的人物心理历程和感人的剧情,何尝不是现实中他们的真实写照呢?所以,他们怀着一腔心有不甘的英雄气,用他们的实力和人情成就了这部经典喜剧片,也成就了他们自己!

5、《糊涂侦探归来》当初为何能够火遍全美国?

在早年的电影产业发展线路上,美国的众多电影作品在如今的娱乐圈和电影界之中依旧是十分经典的作品,特别是唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔精湛演技更是让我们对于这些喜剧片作品具有着怀念之情。在盖瑞·尼尔森的个人艺术事业发展线路上,《糊涂侦探归来》这一部喜剧片也是他达到巅峰状态的作品之一,正是制作水平和演员上的选择才让这一部喜剧片作品在当年红遍美国。

6、喜剧片《糊涂侦探归来》在美国电影中处于怎样的地位?

1989年电影《糊涂侦探归来》开创了美国电影的先河!电影《糊涂侦探归来》是美国电影中真正最好的喜剧片!在那璀璨夺目的喜剧片黄金时代,《糊涂侦探归来》无疑就是一颗耀眼的明珠。《糊涂侦探归来》的大火让唐·亚当斯,芭芭拉·费尔顿,伯尼·克佩尔名声大噪。所以我觉得《糊涂侦探归来》 就是美国电影的一部巅峰之作,只能被模仿,绝对没有可能被超越。

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